Category: Commentary

  • Book & Movie: Watchmen

    My first book & movie review in one post. I finished reading Watchmen on Thursday and saw the movie on Friday. Both were excellent for different reasons.

    The book is actually a collection of a twelve-comic series released by DC Comics in 1986 and 1987. Alan Moore was the author, Dave Gibbons was the artist and John Higgins was the colorist.

    The story is this: The U.S. has a superhero, Dr. Manhattan, by way of a lab accident. He allowed them to win the Vietnam War and has kept the Russians at bay since. However, the possibility of a nuclear holocaust looms larger with each passing day. Preventing this is what the ultimate arc of the comic is about. On less of a superhero and more of an action hero level, the characters of the comic are seeking the mask killer – an unknown person who, in the first scene, killed the Comedian. Eventually, the two stories come together, though I will spare you the spoilers.

    The story is nuanced, insightful and intriguing. It takes a hard look at society as it existed in the 1980s and saw that there was a lot wrong with the way we were living our lives. In one poignant scene on the gang infested filthy streets of New York City:

    Dan Dreiberg: What’s happened to the American dream?.

    The Comedian: It came true. You’re lookin’ at it.

    Watchmen reminds me of Alan Sorkin’s writing for the West Wing. One of the many reasons I like the West Wing is because of the supporting facts, stories, and links between those facts and stories brought into the fiction of the show from reality. Doing so adds a great deal of credibility to the performance. The same is done in Watchmen to an equally effective degree.

    The movie is very true to the book, excepting a debatable minor change to the ending. It is long, though entertaining. I would recommend that anyone wanting to see the movie first read the book. The movie will better keep your interest that way and you’ll have a better appreciation for the depth of the comic and the faithful adaptation of the movie.

    Go read! Go see!

  • Embrace the Internet Already!

    Dear Newspapers and Television Networks, the fact that I can’t get everything you offer for free on the internet at the same time, or earlier, than when you print or broadcast it is unfortunate in this day and age.

    Newspapers, most of you are starting to get it. But you’ve been slow on the uptake. The pay walls were not smart (Come on WSJ!). I understand you’ve yet to figure out how to make enough money from your websites to cover costs. That, coupled with declining print subscription rates is doubly bad.

    My suggestion is this: stop paying reporters to write content for you. Cut that part of your staff. It’s got to be a significant portion. Instead, make the people your media. Tap the collective mind, and hire a smaller herd of editors to refine submissions. I’d be surprised if the contributions were not overwhelming. Exposure would be compensation.

    It is here that we can take a page from Twitter’s book. At the rate the world turns today, printed news is old news. In fact, CNN is often old news. During an event nearly anywhere on the globe, search for relevant keywords on Twitter’s search and I assure you that you’ll be more in the know than anyone reading a newspaper or watching cable news.

    Broadcasters, you, too, need to accept the web. I can deal with the commercials you splice into your online offerings. I get that your linear brains see that as the obvious way to do things. There were commercials on TV, so there should be commercials on the internet, right? Wrong, but I forgive you for the time being.

    There can’t be a delay and the content needs to be high definition. Further, you need to flip your current stance and make the Internet your primary focus and television your secondary focus. New goes online because online is where we find new things now. That’s where it will be shared on Facebook, talked about on Twitter, and recut for YouTube.

    Stop showing kids toys they can’t play with. Instead, give them the toys early and let them play and share them. Embrace that the kids may find new uses for the toys you didn’t think of instead of being scared of such an outcome. The worst case scenario is that the toy sucks. Best case scenario – the kids love the toy and do your marketing for you. Do yourself a favor and loosen up a little!

  • Facebook Takes On Twitter

    You can’t not use Facebook! You just can’t. The website is too usable, too huge, and too addicting. Whether, like me, you use it mainly as an elaborate address book or you are a power user who can’t live without knowing the latest about what’s on your friends’ walls, a Facebook presence is a must.

    With that said, it’s obvious that the folks over at Facebook are a little jealous at the recent success of Twitter. So much so that they will soon be introducing a redesigned homepage that mimics Twitter’s functionality. The Facebook homepage will have a status input area at the top and below that will be a real time stream of your friends recent updates. The Facebook homepage has more functionality. Where twitter is 140 characters of text only, Facebook allows text, photos, videos, causes, etc.

    Further bringing Facebook in line with Twitter’s model is Facebook’s merging of personal profiles and public pages. Like on Twitter, where you can follow a user without them following you back, Facebook’s integration of pages and profiles will give it a more Twitter-like feel by making the overall experience more transparent.

    Facebook has come a long way from where it began. It its original inception, it allowed the user to view static profiles and had minimal interaction. With this change, Facebook will retain the robustness of its many services while gaining the agility necessary to compete with Twitter and other similar limited-purpose websites.

    I can’t wait to try out the new Facebook homepage. I doubt it will replace my “need” for Twitter, but it may for some. What are your thoughts?

  • Movie: The International

    I saw The International and was pleasantly surprised. The movie is about an Interpol agent trying to expose a bank’s role in an international arms dealing ring. It’s a bunch of people chasing each other. The U.S. DOJ is tracking down the Interpol agent. The Interpol agent is chasing the bankers. The NYPD team up with the Interpol agent and the DOJ at one point. The bankers are speaking with an African General, then later with a Middle East arms dealer. There’s also an Italian politician and an assassin involved.

    What the movie lacked in substance, it more than made up for with its numerous sub-plots that came together as one. Despite the fact that the acting was suspect and the plot unbelievable, the movie submerged me in the plot quickly, and kept me interested throughout with action and pace.

  • My Information Experiment

    A few years ago I heard that the most informed people were those who regularly watch the evening news – local and national. This came as a surprise to me, a guy thoroughly overwhelmed by hundreds of minute-by-minute RSS feed updates. I thought that I was surely the most up-to-date fellow around. But, I’ve never been able to get a solid grasp of “real” world news from online sources. Either I get overwhelmed by the amount of information or I get distracted by geek news and pictures.

    So, two years after first learning that despite being highly tech savvy I was among the less-informed, I am going to undertake an experiment and get my news from three different sources each of three months.

    March: I will read one local and one national newspapers daily for one month. I will do my best to avoid both online and television news.

    April: I will watch the local and national news daily, avoiding newspapers and online news.

    May: I will read online news (sources TBD), avoiding tv news and newspapers.

    My prediction is that if I can make/find the time to read the newspapers, I’ll be most informed during March. Least informed in May.

    I’ll post my thoughts at the end of each month and a conclusion in June.

  • The iPhone: This Generation’s Polaroid Camera

    Mobile phone photography is instant and everywhere, easily shared, often quirky, and always of suspect quality. Sounds a lot like many of the Polaroid photographs I’ve seen. Even better is that I don’t have to buy film or pay for processing when taking pictures with my iPhone.

    I frequently use my iPhone to capture discrete and fleeting moments that would, otherwise, be awkward to photograph with my DSLR or even a point-and-shoot. Often my hand shakes. The lighting is never perfect – usually too dark. Sometimes the iPhone camera quirks and produces a fractured or smudged photo. You would think these imperfections would detract from the photos, but when I view my mobile photos collectively with a macro-mindset their unparalleled character comes into focus.

    Spontaneous. Fun. Unpredictable. Click here to see my iPhone photographs.

  • My Oscars 2009 Predictions

    This year marks the 81st Oscars. I was born in 1981. I believe that makes me more than qualified to spout my predictions for this Sunday’s awards show.

    Here’s a semi-complete list of movies I saw in theaters in 2008. Missing are the Best Picture contenders. I’ve seen three of the five.

    My predictions are as follows. The selections above the line are educated guesses. Those below the line are pure guesses. I have not read the predictions that were leaked online, nor have I read many other published predictions. I’ve seen all of the movies to which the above-the-line nominations apply, except The Reader (Actress: Kate Winslet).

    Actor: Frank Langella
    Supporting actor: Heath Ledger
    Actress: Kate Winslet
    Supporting actress: Penélope Cruz
    Animated feature film: Wall-E
    Best picture: Slumdog Millionaire
    —————————
    Art direction: Benjamin Button
    Cinematography: Slumdog Millionaire
    Costume design: Benjamin Button
    Directing: Frost-Nixon
    Documentary feature: Man on Wire
    Documentary short: The Final Inch
    Film editing: The Dark Knight
    Foreign language film: The Class
    Makeup: The Dark Knight
    Music (score): Benjamin Button
    Music (song): Wall-E
    Short film (animated): Presto
    Short film (live action): New Boy
    Sound editing: Iron Man
    Sound mixing: The Dark Knight
    Visual effects: Benjamin Button
    Writing (adapted screenplay): Benjamin Button
    Writing (original screenplay): Milk